Robert Quillen Camp writes texts for performance, directs and designs plays and performance pieces, and writes about theater and performance. His plays and performance projects include Our Ruined House (PETE), All Hands (Hoi Polloi), and his collaborations with Pig Iron Theatre Company, Pay Up, the Obie Award winning Chekhov Lizardbrain, and the smartphone audio experience Franklin’s Secret City. His academic research focuses on the perceptual experience of performance as it intersects with technology, place, and space. 

White on White, a Hoi Polloi production directed by Alec Duffy and Lori E. Parquet at JACK in Brooklyn has been extended through July 16.

A New York Times Critic’s Pick!
“At one point I could not help but gasp in horrified delight, or maybe it was delighted horror — the two are closely intertwined in Robert Quillen Camp’s absurdist, outrageous Grand Guignol... its go-for-broke delirium is uncommonly satisfying.“ -Elizabeth Vincentelli
[full review in the New York Times]

Helen Shaw on White on White :
“Expertly directed by Alec Duffy and Lori Elizabeth Parquet... there’s electricity in the way the production packs us all in so close together, about the clever way Quillen Camp ties the play to recent events, about the virtuosically deft orchestration of the characters and their tense efforts at reasoning and argument... it’s elegant writing, delicately juxtaposing what’s persuasive in this kind of [antiracist] work and what isn’t, and it’s precisely, even superbly, performed.” [full review in Vulture]